But making sure the pricing info is answered first so that creative types can stop reading:
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The ad-copy also filters the two audiences well - answering the two main questions on people's minds in a humorous fashion. "Open a new world of sound with colors I could imagine, but not express musically". But the creative types would probably ignore large amounts of ad-copy, so those illustrated images of their favorite musicians act like magnets to draw their attention to those deliberately non-technical testimonials: "Lets me capture the mood". The technical types would be drawn to the ad-copy and probably start reading immediately, eating up every last technical crumb about FM, operators and mathematics. So, I'm thinking that Yamaha consciously split that audience up. And the creative types that just want to know if and how the DX7 can create great sounds. The logical types that like to read vast amounts of technical info about the synth. I think the ad writers knew there were two audiences to be catered to when it came to the DX7 and FM synthesis. I'm really digging them.Īnd what really makes this a really really awesome advertisement is how those last two features - the ad-copy and the testimonials - balance each other out. I wouldn't be surprised if each of those artists ordered copies of their illustrated photos. The ad also includes some great informative ad-copy, as well as images and testimonials from some of the biggest names in keyboards and synthesizers - Elton John, David Paich/Steven Porcaro, Quincy Jones, Chick Corea, Michael McDonald and Jerry Goldsmith. Believe it or not, this is probably the first time many readers may have seen a clear photo of the actual instrument in a DX ad. It has everything that makes a synthesizer ad great including a snappy ad-title in a large font and a really large feature photo of the synthesizer itself. This two page centerfold appeared in the September and October 1983 issues of Keyboard Magazine and I seriously would have considered putting this thing up on my wall if it had been available as a poster. Yamaha finally getting serious about the promotion of the DX7. OUT OF STOCK.Yamaha DX7 "The Performance is about to begin" 2-page colour advertisement from page 42 and 43 in the September 1983 issue of Keyboard Magazine. Chronos Signature – Downtempo Konstruktor (1).Chronos Signature – Ambient-Producer (1).Will purchase the bank in an eyeblink ! Thanks, Nick !!! Love your demo as well ? LFO makes me save a lot of money :-)) I don’t need to purchase new synths anymore ! Bringing out these patchbanks for my older gear makes me dusting them off and rediscover.
#KORG POLY 800 PATCH LIST DOCUMENT SOFTWARE#
Sounds fantastic! Can these sounds be used with korgs software version? These sound amazing, my M1 is going to be so happy! Wow! Another soundset! You guys are prolific! You’ve done a great job with expanding the sound palette for the M1 ! Wow!! This will rejuvenate my M1R-EX ???? I like this synth better than Roland D50.
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Wonderful!Īlmost every sound is nice and very usable. You should duplicate this presets in the iM1 app. What a good sound for that time, my favorite group the Depeche Mode used it Excuse me but I’m recently listening to Pro3 and the demons are still in my brain ? what a bug, I’m going to have coffee to see if I get them out of the brain ? good day friend !!! Using great internal fx & classic waves we just scratch the surface with first 50 patches from the series. Various bells & plucks – classic, modern, unreal.Īll the patches are handcrafted & reacts on MW & Aftertouch. Various ambient pads, drones, swells – cosmic, organic, nature, water. So we made a challenge to ourselves – made analog style patches with modern vision & also re-create classic ambient sounds. It sounds fantastic but many of the sounds was overused in years & we didn’t find any modern recreations around the globe.
#KORG POLY 800 PATCH LIST DOCUMENT SERIES#
After successful Korg Wavestation series we’ve got in our hands one of the most iconic workstations of 90s – the M1.